Adam LeBor offers some reflections on sex, violence, and dangerous women in the Bible
Some of those women are dangerous because of their sexual wiles, and they're often presented in an unflattering light—I guess Delilah is the most striking example. But others are presented as admirably heroic, courageous, and aggressive—even ferocious.
My friend Adam LeBor, an author and journalist who lives in Budapest, is writing a series of thrillers about international espionage and skullduggery that feature a heroine named Yael Azoulay. I haven't read any of these thrillers, but I did notice the piece below, in which he reflects on some of the the Biblical background and inspiration for his heroine.
Incidentally, Adam's discussion here focuses on two formidable women in the Hebrew Bible (or, as people in the dominant culture call it, the Old Testament ), Yael and Judith. But as he points out, the Biblical Yael makes her appearance in connection with the story of Deborah, the female prophet who led the Israelites in a successful war against the Canaanite king Jabin. In her own way, Deborah might also be regarded as one of those heroically formidable and dangerous Biblical women.
—Jeff Weintraub
(P.S. Another part of the imaginative background to these thrillers, it seems, was Adam's experience as a journalist covering the some of the mass atrocities of the 1990s and the first years of the 21st century, including the Balkan wars and the genocides in Rwanda and Darfur, and the world's failure to prevent or stop those atrocities. He dealt with that subject in a book worth reading: Complicity with Evil: The United Nations in the Age of Modern Genocide. Sometimes real life is less inspiring and emotionally satisfying than fiction, as Adam suggests.)
==============================
Harry's Place
May 20, 2013
A modern thriller with biblical roots
By Adam LeBor
This is a cross post from The Times of Israel
Sex, murder, betrayal: the story of Yael, recounted in the Book of Judges, makes enthralling reading. I first heard of her deeds in a Jewish history lesson at school, more than thirty years ago, and Yael still captivates me.
Jabin, the king of the Canaanites, had cruelly oppressed the Israelites. Deborah, the Hebrew prophetess, summoned Barak, her general. She told Barak that God had ordered him to lead an army of 10,000 men against Sisera, Jabin’s military commander. The battle took place and Barak’s soldiers duly routed Sisera’s forces. Sisera fled to the tent of Heber, whose family was allied with Jabin, believing that he would find sanctuary there. This was a mistake.
Yael, Heber’s wife, welcomed Sisera inside, and gave him a drink of milk and a blanket. Sisera fell into a deep sleep. When Barak passed by, looking for Sisera, Yael ushered him inside. There was Sisera, dead, with a tent-peg rammed through his head.
Yael may have been even more ruthless. An alternative version, told as a poem, the Song of Deborah, in Judges chapter 5, recounts that Yael crushed Sisera’s head and then he fell at her feet – thus, Yael despatched the general while he was still awake and standing. According to the Gemara, Yael slept with Sisera seven times to completely exhaust him before she killed him, which certainly would do the trick, especially after fleeing a battle.
We will never know exactly what did or did not take place in that tent, but either way, Yael was clearly not a woman to be messed with. I began to look at the nice, north-west London, Jewish girls in my class in a whole new light. The school camping trip suddenly seemed less appealing.
The story of Yael was also a revelation in another sense. It made me realise that the Bible and its contemporaneous literature were rich in powerful human stories with a contemporary resonance. Think of the anguish of Moses, forbidden to enter Israel, or King David, despatching Uriah to the front to be killed, so that David may take his widow, Bathsheba, as his wife.
The story of Judith, for example, may be the world’s first behind-enemy-lines spy tale. Judith was a brave and beautiful widow. When Holofernes, one of Nebuchadnezzar’s generals, laid siege to her home town and cut off the water supply, the people wanted to surrender. Judith crossed the lines and entered Holofernes’ camp. Pretending to be a defector, she ingratiated herself with him. Judith was even more ruthless than Yael. When Holofernes was drunk, Judith cut off his head and returned home, carrying it in a bag.
There is something both immensely appealing and also unsettling about women such as Yael and Judith. Their stories completely subvert our expectations of Biblical women, who, like Sarah, the wife of Abraham, are often marginal figures, mentioned mainly for their children, or lack of them. But Yael and Judith act, seize control and dispose of the enemy with a cold, precise, efficiency.
As the late Tikva Frymer-Kensky, a noted Biblical scholar, noted of the second, poetic, account of Yael, “Her deed is clearly heroic: she is a ferocious woman warrior, offering milk in a princely bowl, taking a tent-peg and hammer in her hands and crushing Sisera’s head. Nothing is said about blankets or sleep.”
The story of Judith, in particular, has fascinated artists through the ages. She has been immortalised by poets, writers and painted by Michelangelo, Caravaggio and Gustav Klimt.
Judith Beheading Holofernes by Caravaggio (PD-art)
The Biblical Yael inspired Yael Azoulay, the heroine of my new series of conspiracy thrillers. Yael Azoulay works for the United Nations, brokering the secret deals behind the scenes that keep the wheels of superpower diplomacy and big business rolling. Yael is a modern woman – a 21st century heroine, haunted by her past, with a complex identity, but one firmly rooted in Israel.
Yael Azoulay is also rooted in my own journalistic experience. My time as a reporter in Yugoslavia, covering the Balkan wars, gave me an inside view of superpower diplomacy and UN peacekeeping operations and the catastrophic compromises that result – nowhere more than Srebrenica, in Bosnia, where UN peacekeepers stood by as Bosnian Serbs led 8,000 Muslim men and boys to their deaths. That led to my non-fiction book, Complicity with Evil, which investigated the UN’s failure to prevent genocide in Bosnia, Rwanda and Darfur.
Then my imagination went to work. What if there was someone working for the UN with a powerful moral drive to do good, yet who was forced to operate in the shadows? Even to kill? Thus was born Yael Azoulay. Centuries after the Biblical Yael lured Sisera into her tent on a false promise of sanctuary, the question of whether the ends justifies the means is still a powerful engine for an gripping story.
------------------------------
A short story by Adam LeBor featuring his biblically-inspired heroine, The Istanbul Exchange: A Yael Azoulay Short Story can be downloaded free of charge in all formats as an e-book from the Harper Collins website.
Adam LeBor’s thriller of international espionage, The Geneva Option, published by Telegram in the UK and HarperCollins in the US, sees Yael Azoulay take on a brutal conspiracy to control Africa’s natural resources.
My friend Adam LeBor, an author and journalist who lives in Budapest, is writing a series of thrillers about international espionage and skullduggery that feature a heroine named Yael Azoulay. I haven't read any of these thrillers, but I did notice the piece below, in which he reflects on some of the the Biblical background and inspiration for his heroine.
Incidentally, Adam's discussion here focuses on two formidable women in the Hebrew Bible (or, as people in the dominant culture call it, the Old Testament ), Yael and Judith. But as he points out, the Biblical Yael makes her appearance in connection with the story of Deborah, the female prophet who led the Israelites in a successful war against the Canaanite king Jabin. In her own way, Deborah might also be regarded as one of those heroically formidable and dangerous Biblical women.
—Jeff Weintraub
(P.S. Another part of the imaginative background to these thrillers, it seems, was Adam's experience as a journalist covering the some of the mass atrocities of the 1990s and the first years of the 21st century, including the Balkan wars and the genocides in Rwanda and Darfur, and the world's failure to prevent or stop those atrocities. He dealt with that subject in a book worth reading: Complicity with Evil: The United Nations in the Age of Modern Genocide. Sometimes real life is less inspiring and emotionally satisfying than fiction, as Adam suggests.)
==============================
Harry's Place
May 20, 2013
A modern thriller with biblical roots
By Adam LeBor
This is a cross post from The Times of Israel
Sex, murder, betrayal: the story of Yael, recounted in the Book of Judges, makes enthralling reading. I first heard of her deeds in a Jewish history lesson at school, more than thirty years ago, and Yael still captivates me.
Jabin, the king of the Canaanites, had cruelly oppressed the Israelites. Deborah, the Hebrew prophetess, summoned Barak, her general. She told Barak that God had ordered him to lead an army of 10,000 men against Sisera, Jabin’s military commander. The battle took place and Barak’s soldiers duly routed Sisera’s forces. Sisera fled to the tent of Heber, whose family was allied with Jabin, believing that he would find sanctuary there. This was a mistake.
Yael, Heber’s wife, welcomed Sisera inside, and gave him a drink of milk and a blanket. Sisera fell into a deep sleep. When Barak passed by, looking for Sisera, Yael ushered him inside. There was Sisera, dead, with a tent-peg rammed through his head.
Yael may have been even more ruthless. An alternative version, told as a poem, the Song of Deborah, in Judges chapter 5, recounts that Yael crushed Sisera’s head and then he fell at her feet – thus, Yael despatched the general while he was still awake and standing. According to the Gemara, Yael slept with Sisera seven times to completely exhaust him before she killed him, which certainly would do the trick, especially after fleeing a battle.
We will never know exactly what did or did not take place in that tent, but either way, Yael was clearly not a woman to be messed with. I began to look at the nice, north-west London, Jewish girls in my class in a whole new light. The school camping trip suddenly seemed less appealing.
The story of Yael was also a revelation in another sense. It made me realise that the Bible and its contemporaneous literature were rich in powerful human stories with a contemporary resonance. Think of the anguish of Moses, forbidden to enter Israel, or King David, despatching Uriah to the front to be killed, so that David may take his widow, Bathsheba, as his wife.
The story of Judith, for example, may be the world’s first behind-enemy-lines spy tale. Judith was a brave and beautiful widow. When Holofernes, one of Nebuchadnezzar’s generals, laid siege to her home town and cut off the water supply, the people wanted to surrender. Judith crossed the lines and entered Holofernes’ camp. Pretending to be a defector, she ingratiated herself with him. Judith was even more ruthless than Yael. When Holofernes was drunk, Judith cut off his head and returned home, carrying it in a bag.
There is something both immensely appealing and also unsettling about women such as Yael and Judith. Their stories completely subvert our expectations of Biblical women, who, like Sarah, the wife of Abraham, are often marginal figures, mentioned mainly for their children, or lack of them. But Yael and Judith act, seize control and dispose of the enemy with a cold, precise, efficiency.
As the late Tikva Frymer-Kensky, a noted Biblical scholar, noted of the second, poetic, account of Yael, “Her deed is clearly heroic: she is a ferocious woman warrior, offering milk in a princely bowl, taking a tent-peg and hammer in her hands and crushing Sisera’s head. Nothing is said about blankets or sleep.”
The story of Judith, in particular, has fascinated artists through the ages. She has been immortalised by poets, writers and painted by Michelangelo, Caravaggio and Gustav Klimt.
Judith Beheading Holofernes by Caravaggio (PD-art)
The Biblical Yael inspired Yael Azoulay, the heroine of my new series of conspiracy thrillers. Yael Azoulay works for the United Nations, brokering the secret deals behind the scenes that keep the wheels of superpower diplomacy and big business rolling. Yael is a modern woman – a 21st century heroine, haunted by her past, with a complex identity, but one firmly rooted in Israel.
Yael Azoulay is also rooted in my own journalistic experience. My time as a reporter in Yugoslavia, covering the Balkan wars, gave me an inside view of superpower diplomacy and UN peacekeeping operations and the catastrophic compromises that result – nowhere more than Srebrenica, in Bosnia, where UN peacekeepers stood by as Bosnian Serbs led 8,000 Muslim men and boys to their deaths. That led to my non-fiction book, Complicity with Evil, which investigated the UN’s failure to prevent genocide in Bosnia, Rwanda and Darfur.
Then my imagination went to work. What if there was someone working for the UN with a powerful moral drive to do good, yet who was forced to operate in the shadows? Even to kill? Thus was born Yael Azoulay. Centuries after the Biblical Yael lured Sisera into her tent on a false promise of sanctuary, the question of whether the ends justifies the means is still a powerful engine for an gripping story.
------------------------------
A short story by Adam LeBor featuring his biblically-inspired heroine, The Istanbul Exchange: A Yael Azoulay Short Story can be downloaded free of charge in all formats as an e-book from the Harper Collins website.
Adam LeBor’s thriller of international espionage, The Geneva Option, published by Telegram in the UK and HarperCollins in the US, sees Yael Azoulay take on a brutal conspiracy to control Africa’s natural resources.
posted by Jeff Weintraub at 1:21 PM
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